Big Noise Tony

I have spent the last year or more writing my weatherstations entries with one eye cast on the Australian prime minister – a man who came to office with the one-word climate change policy – ‘It’s crap’. I have followed Tony across sun-drenched beaches, capturing him in all his ‘manhood’, emerging from the surf in his Speedos – the great white explorer cometh to save the nation. The Abbott government’s ‘policy’ and initiatives on climate change and sustainability are so devoid of energy (no pun), ideas, and vitally, action, that we actually do not have a climate change policy in Australia.  Unless of  course, we are in agreement that a regressive-denialist- worship of coal is a policy, rather than a sick and destructive joke. In Abbott’s latest foray into the issue he has rallied against wind farms in Australia.  Tony doesn’t like them because they’re apparently noisy and ugly; a remarkable position to adopt, considering the damage wrought on the environment by coal mines (and other mining ventures) in Australia. I don’t know the last time Tony ventured to the Latrobe Valley in eastern Victoria. If its ugliness, incessant noise, pollution and environmental hazard he wants to rally against, the Valley would be a good place to start.  Not only has coal mining in the region destroyed the natural environment, it has impacted severely on the lives and health of communities for many decades.  Mining in Victoria and other regions of Australia has also destroyed Aboriginal lands – both sacred cultural sites and community homelands. The position of the Australian government on climate change is an international disgrace. And while the Australian Labor Party makes ‘noises’ of its own about doing something more effective in relation to climate and the environment, it has never adopted more than a lip-service approach to environmental policy, hoping to wedge voters who would otherwise vote for the Greens party. In Australia we are going nowhere but backwards – and in a hurry.  We cannot rely on government to move us forward.  We need action – Direct Action – and in quick time with all the noise we can muster.

 

http://www.theage.com.au/federal-politics/political-news/noisy-compared-to-what-tony-abbotts-claim-wind-farms-awful-and-noisy-dismissed-20150611-ghlnd9.html

Out There

[map 4 - Out There - 'Mantra on Kent', Sydney, Australia]

[map 4 – Out There – ‘Mantra on Kent’, Sydney, Australia]

Out There

The planet, as we know it,

brother, there is absolutely

no doubt about it – Australia –

this country, as we know it,

out there, we’re:

 

flowing and salting

distributing, phenologising

and vanishing

out there

 

ten times faster

ten times two

by two by two

moving to the edge

the edge

 

Wish-list for saving the planet

a small little story

is a magpie story

the space between

fact and feeling is

a time-bomb

the reef is a canary in

a Whitehaven coal mine

2 degrees will

end the coral and

the sixth extinction

will finish us all

if you can spell

The Age of Man

tell me then:

what is the worth of

the sound of a bird

when the bird

no longer exists?

 

Tony Birch

 

Climate Change – it’s been, it’s here, and it doesn’t star Brad Pitt.

P1060770A recent Guardian article (‘Losing paradise: the people displaced by atomic bombs, and now climate change‘, 9 March 2015) provides a sad reading about communities suffering the devastating effects of climate change now. The people of the Pacific Marshall Islands and Kiribati are dealing with ‘food shortages, droughts and floods’ while rising sea levels will ensure that their land and homes face certain oblivion. These are the same communities who have previously dealt with environmental degradation, and the resultant poisoning of their soils and their bodies due to US atomic testing that took place in the immediate aftermath of World War Two. Similar experiences of colonial violence have impacted on Indigenous nations across the globe for hundreds of years (and more). In Australia, for instance, Aboriginal and Torres Strait Islander people have witnessed the destruction of land, water systems and the delicate ecological balance of country — across the mainland and surrounding islands from the moment of the permanent arrival of the British in 1770.

For Indigenous people, the impact of climate change is not a future event. It has occurred in the past, and it is occurring now. In fact, it is not a future event for any community — although we know that so-called ‘third world’ nations, and the poor more generally, are being impacted on more severely and immediately as the impact of climate change gathers speed. It is also certain that the same communities will suffer to a greater extent in the near future.

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In Balance – Sophie Allan

Sophie_AllanI once slept with a lover in a grove of pepper-trees by a bike path in North Fitzroy. Romantic with drink in the warm night and too broke for a cab, we hoisted his swag from the boot of my Corolla and each took an end. A streetlight shone moon-like as we felt for a flat spot to spread the bedding. We sank into deep sleep, hidden in the inky dark. Whirring bicycle wheels and heavy metal trams woke us. We became self-conscious; we were uninvited. Workers pumped along Nicholson Street towards the heart of the city, and over on the Merri the spotted pardalote still cried ‘sleep dee-dee’. Above us the leaves of the pepper-tree hung like the picked-at skeletons of fish.

[Sophie Allan is a writer and publisher who lives on Wurundjeri country]

 

Time

Image: Time

The world has gone to Lima, apparently with the view of saving the planet. Signals are being beamed to us in microsecond wires of communication. We Are Here To Act. Not really, of course. Lima is an exercise in semantics, spin and a photo opportunity that will certainly eventuate after frantic discussions. The tone will be one of urgency, desperation in search of a communiqué to wave before the gathering throng, Chamberlain-like. This has been the practice of such gatherings for more than a decade now. All talk and little Climate Change action. The Australian government should not have been so nervous about attending. There was no need for the hardline government minister, Andrew Robb, to chaperone the Foreign Minister, Julie Bishop to Peru. She could have demanded real cuts in fossil fuels, supported the need for renewables and rowed back to Australia to eat into her own emissions, and it would have made no difference to the outcome. (Perhaps it would have embarrassed her Prime Minister, Tony Abbott – and perhaps not – nothing seems to embarrass him).

It may appear contradictory to suggest the last rhetorical flush we need is urgency. For sure, the state of the planet is desperate. Despite Minister Bishop claiming that Australia’s – no, the world’s – Great Barrier Reef is in fine shape, reputable scientists have warned us, time and time again, that the reef is in a dire situation. One that may well result in its death. I could go one here about other aspects of urgency: around clean air, contamination of waterways, drought, increasingly ferocious weather events, etc. etc. Oddly, perhaps, I do not think talk of urgency and panic get us anywhere. The language may provoke some to action, and I applaud this. Action is vital. But many run in fear, bury their heads in the proverbial sand and do nothing. This mood of panic has been strategically exploited by the Abbott government in Australia, and other administrations around the globe.

Urgency is the language that allows politicians to look busy-busy. I do not disregard that fact that there would be many present in Lima – NGOs, Indigenous groups, and members of government themselves – with a genuine brief to create something of substance. But we need more of an outcome than another piece of paper being thrust at us; while paradoxically, real change to deal with climate change moves at glacial speed. (Although, I suppose, glaciers are moving a little more quickly these days?)

However desperate our situation has become, we need to act with patience, not panic. It is the only means by which change of substance will eventuate. Consequently, I have been thinking more about the ways in which Indigenous engagement with land and a philosophy of environment and ecology may provide both an intellectual and scientific way forward for us. (I did mention this on occasion on my recent ‘European tour’, with little response. I think that most people in Europe, like white Australia, relegate Aboriginal knowledge to the status of romantic folklore, at best.)

I was speaking to a friend recently, talking about the practice of ‘soft eyes’, used by some Indigenous communities in Australia (and I would think worldwide) in seeing the land. I am not qualified to go into the intricacies of the practice. It would be both foolish and disrespectful to attempt to articulate the cultural and intellectual value of ‘soft eyes’ here. But I do feel qualified to respond to what I regard as the wide cultural lesson to be learned. ‘Soft eyes’ is a way of looking at land, and sky, and water in a way that refuses to focus on a single object or site. By seeing nothing with detailed specificity, one is able to engage more fully with the whole. Another aspect of ‘soft eyes’ is that it takes patience and time, to both learn the technique and respond adequately to what one is actually seeing.

After Lima there will be Paris, and who knows after that. I haven’t checked my schedule. But, in the words of an Aboriginal elder and poet of the nineteenth century, ‘we all become bones … all of us’. There is a holistic reality in these simple words. And a lesson for each of us. We … 

Tony Birch

Let’s Walk – number one – Tony and Nina

[map 23 - Mr Wolf, Yarra River, Melbourne]

[map 23 – Mr Wolf, Yarra River, Melbourne]

How do we speak about the places we love? If we are not poets, if our education has been limited, if saying to a teenage mate, ‘I love this place,’ causes embarrassment (all round) and results in ridicule and possible humiliation, how can we express our fierce loyalty and attachment to place? When I was a teenage boy, I loved my piece of the Yarra River in inner Melbourne. I lived on a Housing Commission estate, typical of the brutalist architectural response to ‘slum clearance’  across the globe in the post-WW2 era of ‘reconstruction’. We spent most of our time on the estate discovering new ways to slam each other into concrete walls – which dominated both the inside of the flats we lived in and the surrounding outdoor spaces.

[map 24 - my literary hero]

[map 24 – my literary hero, Barry Hines]

Tony Birch_03Despite my delinquent behaviour at school, I was always a voracious and serious reader. My favourite novel around the time I discovered the river was Barry Hines’ A Kestrel For A Knave, a story set on the other side of the world in a grim northern England mining town. The central character, Billy Casper, is a boy who suffers violence; in the home, the street, at school and on the football pitch. Billy is a boy who roams and falls in love with the ‘wilds’ surrounding his town. He also falls in love with a bird, a kestrel – Kes.Tony Birch_03

The book affected me in a deep and lasting way. I felt great affinity with Billy, and developed an admiration for the author of the book. I thought it remarkable that a writer could create a story that could travel across the globe and produce such influence in me. Hines became the first literary hero of my life, and has remained so to this day. When I was writing my first book, Shadowboxing, I thought of Billy Casper and Kes each morning before I sat down to write. And I wondered if I could, like Barry Hines, write a story that teenagers would connect with.

[map 25 - Shadowboxing]

[map 25 – Shadowboxing]

In Shadowboxing, and with each book I have written since, I have produced a story about the river: on each occasion, attempting to articulate more clearly my deep attachment to it. While I would not say that I have failed to express the extent of my attachment through words, it is clear to me that my words and stories are yet to fully satisfy me – as should be the case for any writer attempting to reiterate an idea mediated through landscape.

What is more revealing to me is that when I was a teenage boy, I did not possess the expression of language to convey my love of the Yarra River. And now that I do, the words still fail. Perhaps that is a good thing? My (slightly more mature) intellect and my creative work are no more able to express that love – that way I felt about the river, as I lived it, walked it, swam in it and dreamed of it when I was a boy.

[map 26 - Nina Birch looking for her father's demolished home - Abbotsford, Melbourne]

[map 26 – Nina Birch looking for her father’s demolished home – Abbotsford, Melbourne]

Yesterday, I went walking with my sixteen year-old daughter, Nina, along the Yarra River. On the way there, we stopped at my mother’s place for a cup of tea. She is in her mid-seventies, and has lived her entire life within a couple of miles of the centre of the city. While we spent many years as children on the move from debt collectors, the police and government bulldozers, we never travelled far, living by a rule passed down to my mother from her mother – ‘if you can’t hear a tram bell when you’re in bed of a night, you’re living too far away.’

[Map 27 - 'Slum kids' - looking happier than they ought to, 1966 - author is second from the left]

[map 27 – ‘Slum kids’ looking happier than they ought to, 1966; author is second from the left]

After we left my mother’s house, we walked along a plantation separating Melbourne’s Eastern Freeway from the narrow streets leading down to the river. The plantation had once been a street of terrace houses, full of kids, and kitchen tables, and backyards with barking dogs. It is all gone. When I pointed to a spot on the plantation and told Nina she was standing on my childhood front doorstep, she looked around as if searching for a ghost. The house I lived in at the time was knocked down for the freeway development. It was close enough to the river that I could lay in bed of a night and smell the scent of the water drifting into my bedroom, and could hear the water rushing over Dights Fall, no more than a few hundred yards from my back gate.

[map 28 - Dights Falls, Abbotsford, Melbourne]

[map 28 – Dights Falls, Abbotsford, Melbourne]

In the years that I hung out at the river, it was the remnant of a nineteenth century industrial site. Cotton mills and factories had been built along the lower side of the river. The workers for the mills were crowded into narrow houses built in the shadows of capitalist expansion. Dights Falls itself, built over a ‘natural’ waterfall, was a ‘man-made’ construction. It powered a turbine in an adjoining wheelhouse that supplied water for the mill. By the time I inhabited the river, more than 100 years later, both the mill and the wheelhouse were in ruin; all the better for young teenagers laying claim to our own place.

[map 28 - the wheelhouse wall, Dights Falls]

[map 29 – the wheelhouse wall, Dights Falls]

Nina and I took photos at the falls and walked across to the wheelhouse. While the ruin has been stabilised, its past remains present; in the rancid smell of stagnant water laying at the bottom of the wheelhouse, the damp mosses creeping up the redbrick walls, and the scratching sounds coming from the darkness below, which could well be bare tree branches bending with the wind. Or the river rats we witnessed as kids, happily strutting their stuff in the mud and rubbish and weeds. I pointed to various spots around the falls where we rode our bikes, where we jumped from rocks into the water, and where we came across burned-out wrecks of stolen cars. I would not say Nina was envious of the stories of my teenage years, but I do know she has a yearning to discover places of her own; places outside regulation, outside the prying eyes of authorities, parents and invasive CCTV cameras. Such places are harder to find in the contemporary city, but I hope she stumbles across them before its too late, before she grows up.

[map 29 - Nina visiting the site of her father's beautifully misspent youth]

[map 30 – Nina visiting the site of her father’s beautifully misspent youth]

We left the falls and headed downriver toward the city, passing endless numbers of drains that wash rubbish from the streets into the water. When I was a boy, it was nothing to see chemicals dumped directly into the water from the factories above. Until the 1970s, the lower Yarra was widely accepted as the open drain of industry. Swimming in it was hazardous (as I experienced as a teenager, collecting pus-filled sores and alien rashes after a swim in the river).  In the 1970s, Melbourne’s Age newspaper began a campaign, ‘Give The Yarra A Go’, in an effort to raise both the profile of the river and the consciousness of citizens. The campaign had some success, and the river did become cleaner (although over the years, many setbacks have occurred).

[map 31 - a man expressing angry over the violence done to his Yarra River]

[map 31 – a man expressing anger over the violence done to his Yarra River]

I often felt angry over the poisoning of my river. I would sometimes see dead fish in the water, in the area around drain outlets. Or oil and paint trails drifting downstream with the current. In those days, I would not have considered that the environmental damage done to my river could be stopped. I felt powerless. My parents were powerless. My community did not have a voice that could be heard. All we had was our anger. An awareness of environmentalism was an impossible notion. Today, so many of us are aware. And we are also more informed. There are also outlets for us to articulate and express our concerns. And yet many of us feel equally powerless.

Why is this so? I cannot provide an answer here. It is, though, a central idea in my thinking and writing for the Weather Stations project.

[map 33 - Nina visits another childhood home of her father - Nicholson Street, Abbotsford, Melbourne]

[map 32 – Nina visits another childhood home of her father – Nicholson Street, Abbotsford, Melbourne]

We left the river and went to the Salvation Army shop in Abbotsford. Nina bought a woollen cardigan, and I picked up a t-shirt and running top. I’ve been going to ‘op-shops’ for more than 50 years. I love the smell of the places. They smell of life, or use rather than refuse. We stopped for one last photo opportunity outsider another house I lived in during the 1970s. Nina asked if I had enjoyed living in the house. ‘Yes. I was happy here. We were never far from the water.’

The house had been seriously renovated and would fetch a packet at auction. I remember walking by the house many years ago when it was being fixed up. I was angry then also. When we rented the house, it had holes in the roof, the walls and the floors. The rising damp reached the ceiling, and the only hot water was supplied by a ‘chip heater’. I was annoyed that it took someone with money to make the house decent to live in.

I don’t think that way any longer. I’m simply happy that this is one childhood home of mine that was not bulldozed for some grand scheme. There was a kid’s bike on the front verandah, and a muddy pair of gardening boots. There are children in that house, playing and crying and sleeping. There is somebody living in that house who turns their garden over and clips their roses and sits on a chair on the front verandah in the afternoon sun. I hope they love their house.

Tony Birch

Trust and our children

Bunjil Shelter - The Black Ranges, Western Victoria

Bunjil Shelter – The Black Ranges, Western Victoria

Bunjil’s Shelter is the most significant Aboriginal rock-art site in south-eastern Australia. It is also one of the oldest shelters, at around 6,000 years. Tourists visit the site each year to photograph the art work. Many leave without knowing the important story that the art work represents. It is a story about country and custodianship. It is also a story about the protection of children, the care and leadership we provide them, and the future protection of the country we entrust in them. The story simply stated, within Aboriginal culture, is that Bunjil the Eagle watches over all children from the sky and endeavours to keep them safe. This is not simply a ‘fairytale’ or folklore (in a dismissive sense). The story of Bunjil has vital meaning in contemporary Australia for Aboriginal people. The story also acts as a guiding point for the sustenance of all peoples and the environment.

The Bunjil story within Koori (Aboriginal) communities in Victoria comes with a high level of responsibility. It is incumbent upon adults and parents to care for our children. It is important that we provide them with education. That we nurture them both emotionally and intellectually. In return, we hope that when our children grow, they will accept the responsibility of caring for each other and the environment. This is the trust we place in our own actions, and their acceptance of responsibility that comes with age.

Some might read the above as a naïve and simplistic statement; be they realists, cynics or pessimists. They may be right – on occasion. In Aboriginal communities, we have sometimes failed to live up to the expectations we rightly impose upon ourselves (although far less so than the ceaseless ‘doomsday’ media portrayals of our communities). What is more common, in Victoria at least, is that in providing guidance to our children, to both teenagers and younger kids, we are reaping the reward of young people increasingly taking a lead in working with the environment. As they come to accept the role of custodian, they in turn find trust in their own decisions. Put simply, the satisfaction that comes with the job justifies whatever sacrifice they make.

Last weekend, a friend of mine – Stephen Muecke, a writer from Sydney – came to stay with our family for the weekend. Things went pretty well (except that my father is quite sick in hospital – he will recover, I’m sure). The weather was fine, sunny and clear; my football team, Carlton, played out a dramatic draw against an arch rival, Essendon, in front of 60,000 people. On Saturday night, we had a great dinner at a Greek restaurant with my closest friend, Chris Healy (also a writer) and my wife, Sara (a writer, academic and all-round extraordinary woman).

On Sunday morning, with the football and dinner over, talk turned to our concern not so much for the realities of climate change, but the current Australian government’s inaction on the issue. As often happens, the conversation shifted to our own responsibilities and the action we need to take to shift the government’s position. We wondered – as we often do – if what we do, write, has any impact at all. While, naturally, we hoped it does, we weren’t at all certain. We then spoke about our children (I have five, Stephen has three), and young people in general. While neither of us wanted to feel that we’d let our children down in failing to live with the environment – although, in fact, collectively we have failed – we had to accept that any sense of disinterest our kids might convey around issues such as climate change is an outcome of the lack of responsibility and leadership provided within institutions of power, such as mainstream politics and media.

These institutions are of our own making. I’m a believer in the mantra that we get the politicians we deserve. In Australia, the shallowness of the environmental policy trumpeted by conservatives has been more than matched by the Labor side of politics. Inaction, outside the dedicated environmental and activist movement, is a shared experience in Australia. If we think we deserve something more, we have no alternative but to act with greater energy and conviction. If we do not do so, we cannot expect our children to trust us. Nor can we expect to entrust the environment to them.

To return to Bunjil. The eagle’s protection of children is unconditional. The role ascribed to Bunjil is in recognition of knowledge, wisdom and spiritual leadership. Nor is the nurturing of the young by Bunjil contingent: there is no expectation that at some time in the future, those children will grow into the role of responsibility; that they will, without question, reciprocate the care provided to them. This may not appear, at first, to be a great deal. That eagle, up there in the sky, puts in an enormous effort looking after the young. There is no guarantee of gratitude. Consider, then, how both powerful and tender the contract becomes when children do recognise all that hard work the eagle has done – for them. They come to trust the eagle and respond accordingly. If we want our kids to show interest in the environment and to fight for it when necessary – if we want them to trust us – we’ll have to get up there in the sky and do the work.

Looking for Bunjil - outside my front gate

Looking for Bunjil – outside my front gate

Tony Birch

The man who loves trees – Sean Gaston

The Trees of Summertown

Since I moved to Summertown in North Oxford nine mature trees have been cut down at the back of our house. When we first arrived, there was a natural wall of trees that sheltered us. It reminded me of the tall hedges we had around our house in Scotland, which I would have to climb up and to trim during the brief Scottish summer. A lot of academics live in Summertown and the first great tree to be cut down was replaced by a redundant study. It turned out that the couple that owned the house were both academics and retired at the same time – he, naturally, wanted a study of his own and the tree came down. There were once great fruit orchards here; now there are only a few scattered apple trees. We are only some twenty minutes walk from Port Meadow and the poplars of Binsey that inspired Hopkins’ 1879 poem. Even then, he lamented the cutting down of trees that ‘quelled or quenched in leaves the leaping sun’.

Sean Gaston is an academic and lives in Oxford.

Photo%20on%2022-02-2015%20at%2012.28-2

Falling in Love with Polzeath – Molly Slight

Polzeath - Cornwall

Every summer, my family would pile into two cars at three o’clock in the morning and set off to Polzeath, Cornwall, arriving just as the sun was coming up over the water. Before even checking in to our holiday apartment, we would change into our wetsuits in the car park off the beach and run straight for the sea. If you’ve ever swum in the English Channel – you know how brave this is, even in a wetsuit.

We would surf until our hands turned blue and then struggle up the beach, making lines in the sand where our boards dragged behind us, to the little café where we would buy bacon sandwiches and hot chocolates which scalded our tongues. Other people went to the Caribbean or Malta for their holidays, but sitting on the beach, warming our hands on polystyrene cups until they were pink again, this was perfect for us.

Molly Slight lives in London and works as a Publishing Assistant for Scribe. She escapes to the sea whenever she can.

Digging history – with Paola Balla

PB%20Two%20Willy%20Wag%20TailsTwo talking and twitching Willy Wag Tails escort me round the footy oval, edged with blue stone wretched from the quarry by Italian migrants, after being worked by generations of Kulin.

Sunrise, and West Footscray is almost pretty. Rosella rifle in grass lumpy with little hills and gullies. Story goes this ground sits atop a car dump.

Here one Sunday morning cheering on my son, a man with café latte breath slurps at me that a sinkhole opened up during a seniors match in the fifties.

Towards Tullamarine a plane rumbles, the traffic begins to hum and blow, I smell toast and walk home.   (Paola Balla is a Wemba-Wemba & Gunditjmara woman, artist, mother, curator and educator who likes to tell stories)

PB%20Two%20Willy%20Wag%20Tails