Summer’s rubbish everywhere, plastic splendor on every slope. Tossed away, trodden flat, left lying, forgotten – the packaging of what once was, and is never to return, bottles of all colors, rust-corroded tins, a faded bag, a torn suitcase. Cars abandoned years ago by the roadside, wrecks, half-cannibalized, half-decayed, shat in, besmeared, oil-slicked. You squat, eye caught by something pale on the asphalt, and see a little goddess doll, with just half a head, no more body left, but Aphrodite’s smile on its lips. In the dry grass, layer upon layer, lie the remains of what couldn’t be stuffed into the crevices and niches of these walls whose stones have been used over and over, over and over again. Severed power lines in the trees, a branching of wires. On the beach a tide of toothbrushes, a spume of bags and bottle tops, caps and pens, laces, buttons, and the faded blind eyes of stuffed animals.
On the tiny Greek isle of Symi, just a few sea miles from the Turkish coast, a house stands in the upper town of the fishing harbor, its roof beams, walls and floors prized open by a tree that has claimed, bit by bit, the abandoned masonry. The beautiful dark green fig grows on the junk and trash that is tossed in through the windows – tossed as though into a shaft in which the inevitability of decay merges with emptiness, and time and death fade in the face of sheer life.
Photos: Plastic in the Mediterranean near Rhodes (1), house with fig tree on Symi (2), fig tree in Santa Barbara, California (3)
Translated by Isabel Fargo Cole